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All Critics (14)
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There are enough fantastic sequences in Loro, and another great performance from Servillo, but this is a slight disappointment given what we've come to expect from Sorrentino.
"Loro" is the definitive Paolo Sorrentino film to date. It's brash, stylish, and silly. It oscillates back and forth between horny and human, profound and misguided. It's a glorious mess.
A richly inventive, ferocious feast of satire and vulgarity.
It's like changing channels between a Tinto Brass movie and My Dinner with André.
A wild ride of a movie through the life ... of Silvio Berlusconi ... it recalls ... The Wolf of Wall Street in its cinematic ... excess in the name of condemning that excess.
Loro manages to showcase the best and worst qualities of the Oscar-winning successor to Fellini's opulent throne.
A journey through the late political years and amoral orbit surrounding mogul turned controversial Italian Prime Minister Silvio Berlusconi, the film delves once more into hermetic worlds where the only disruption is deadpan absurdism
Parrot is that, the Baroque Pop, the Opera of disproportion, the tarantella of arrogance, the great puppet of the giant enclosed in his castle. [Full Review in Spanish]
These orgiastic frenzies do not probe into perversion so much as eagerly plunge headfirst into a pool filled with naked girls and computer-animated MDMA tablets.
There's also a proper emphasis on the astounding Toni Servillo, an actor of uniquely theatrical physical and vocal gifts-the closest thing among current movie actors to someone who can be fairly termed a force of nature.
Where Il Divo's abstraction of Andreotti's political career bordered on the impressionistic, Loro engages with its subject's psyche and motivations directly.
I thought the party sequences in The Wolf Of Wall Street were just fine, thank you, but Loro's give new meaning to the word gratuitous.
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